#Used Dbx Ack Pa2 Software Looks Good
#Used Dbx Ack Pa2 Full Loudspeaker Management

RTA-M The optional RTA-M real time audio analyzing mic is the perfect accessory tool for the DriveRack PA, DriveRack PA+ and 260. With the latest advancements in dbxвЂ™s proprietary AutoEQ and AFS algorithms, a new input delay module for delaying the FOH system to the backline, Ethernet control via an Android, iOS, Mac, or Windows device, and. The DriveRack PA2 provides all the processing you need between your mixer and amplifiers to optimize and protect your loudspeakers.

I used Holmimpulse to do measurements and REW to set the PEQ that I manually put into the PA2. I use the DBX Driverack PA2 as 3 way electronic crossover for my line array using the RD75 and Dayton RS225s. Ive been using one but didnt know that until I just googled it. As a company, we have a single objective: making you, our customer, happy.Apparently the DBX PA2 also uses the H.A.T.S system. We are musicians ourselves and share your passion for making it.

Used Dbx Ack Pa2 Full Loudspeaker Management

Three IN's, two of which can also accept digital AES/EBU signal. Always with customised added value for musicians.I was looking for an active crossover and ended up deciding to just go for a full loudspeaker management system!The goal was - 1.) get full crossover functionality with different filters available, 2.) have remote control capability through PC and 3.) spend no more than В¤400 for it.The candidates - Behringer DCX2496, Digisynthetic DS24, Phonic i2600, dbx DriveRack PA2 and finally the t.racks DSP's.After reading ALL the specifications and reviews I could find for each unit, here is a short summary:Behringer DCX2496: best for pro-level sound systems, where delay lines are a must. This also affects the price - to our customers' benefit, of course.+49(0)9546 from the shop, you can discover a wide variety of additional things - forums, apps, blogs, and much more.

Used Dbx Ack Pa2 Software Looks Good

It does two things better than the Behringer - the RTA functionality to automatically measure and set up your sound system and it's got a subharmonic synth for extra bass response. Has a USB port for remote control, the software looks good, it even has one digital stereo AES/EBU input. Buggy, with the graphs for crossover and EQ not working, limiter settings were completely invisible behind a graphics glitch - absolutely useless and out of the question.Phonic i2600: it is a step down from the DCX2496 in terms of features, lacking in PEQ bands and having one less input channel. But then I tried the remote software. Also, reports of crackling sound and bad ribbon cables inside, along with hum on the signal make it a gamble I was not willing to take.Digisynthetic DS24: considering the price of only В¤180 (in my country) and having all the crossover filters I needed (up to 48db/oct), it was looking really good! A 3-band PEQ at input and 5-band at output, a limiter, free routing for each output (A, B or SUM) - really all I needed.

But from here on, it starts to catch up - a LAN remote control through a router (even a WiFi one!), snappy modern software, smooth playback while you change settings live (the Behringer actually cuts out playback at some setting changes!). And in terms of professional settings, it doesn't compare to the Behringer (no input/output routing, weaker delay options, no digital ins and one less input channel). First off, the negatives - 35% more expensive than the DCX2496. No LR 48db/oct crossover filters again. That didn't make sense, because it's got 2 more outputs than the former model! Then I read the manual. So I looked at the next option.The t.racks DSP's: there were 3 models actually, first one the DS 2/4, which had the dreaded RS-232 remote port (not for me), the Achat DSP 24, which looked A LOT like the Digisynthetic DS24 (but 2x more expensive) and finally the DSP 26.which was actually cheaper than DSP 24.

External app connections will drop when this happens. And then it also found use where it's at its best, smaller scale live sound reinforcement.So far the PA2 (firmware version 1.2.0.1) has locked up only when starting some Wizard features. The dbx DriveRackВ® PA2 ended up being my choice with the matching RTA microphone as the cheaper option had (luckily!) just run out of stock. (Yes, one of the setups I did had a full-range stereo pair from HIGH outputs, stereo subwoofers from MID outputs, and a third mono subwoofer in the middle in front of the stage from the LOW output, and it was awesome!)Originally I was looking for just an analog stereo EQ to overcome some of the acoustic problems at home but started looking at digital speaker management systems instead as the entry level devices weren't that much more expensive and came with a lot of other features which would need a bunch more separate devices in the analog world.

I set up the crossover with the speaker specs and finetuned it by ear, then used the output delay to phase match the tweeters with the full range drivers before AutoEQing. Later on I tried bi-amping a pair of passive speakers that offered the option. The iOS app has proved to be useful to tweak EQ, compressor, and such on the fly while the rack unit itself is somewhere out of reach.The first A/B comparisons I did with a single stereo output, just with AutoEQ and nothing else, blew my mind with the improvement to the previous EQ-less setup. The Mac software interface follows the layout of the iOS app and is slightly less responsive but does work. However, it's never done anything stupid after setting up and in production use, so I'll live with the occasional Wizard crash.

Used Dbx Driverack Pa2